~ Forgotten In Time ~
The Ancient Solfeggio
Frequencies
Photos by From: powerofharmony.tripod.com
What
Are The Ancient Solfeggio Frequencies?
These original sound frequencies were apparently used in
Ancient Gregorian Chants, such as the great hymn to St. John the Baptist, along
with others that church authorities say were lost centuries ago. The chants and
their special tones were believed to impart tremendous spiritual blessings when
sung in harmony during religious masses. These powerful frequencies were
rediscovered by Dr. Joseph Puleo as described in the book, "Healing Codes
for the Biological Apocalypse" by Dr. Leonard Horowitz. I give honor to both
of these gentleman for the part they've played in helping return these lost
frequencies back to humanity.
The Six Solfeggio Frequencies
include:
UT – 396 Hz – Liberating Guilt and Fear
RE – 417 Hz – Undoing Situations and Facilitating Change
MI – 528 Hz – Transformation and Miracles (DNA Repair)
FA – 639 Hz – Connecting/Relationships
SOL – 741 Hz – Awakening Intuition
LA – 852 Hz – Returning to Spiritual Order
RE – 417 Hz – Undoing Situations and Facilitating Change
MI – 528 Hz – Transformation and Miracles (DNA Repair)
FA – 639 Hz – Connecting/Relationships
SOL – 741 Hz – Awakening Intuition
LA – 852 Hz – Returning to Spiritual Order
For
example, the third note, frequency 528, relates to the note MI on the scale and
derives from the phrase "MI-ra gestorum" in Latin meaning
"miracle." Stunningly, this is the exact frequency used by genetic
biochemists to repair broken DNA – the genetic blueprint upon which life
is based!
A Little History
At the turn of the century the awareness of DNA entered the
collective consciousness of the world. We have incarnated into this human
experience as divine beings with a blueprint, a set of instructions. We know
that a very small percentage (3%) of those instructions make up our physiology.
Carl Sagan writes that most of our genetic information
(about 97%) is unused DNA. He refers to this as "genetic gibberish."
Is it possible that most of who we are still lies dormant as our human
potential?
In the old paradigm of religion, "potential"
remained a mystery to the human mind, therefore we coined a mystical term
called "SPIRIT." "Spirit" was something that was detached
from who we were, something we didn’t have and could only be gained through the
systems of most religions.
The old paradigm and its premise stated that we began as
biology in the womb of our mothers. Telliard deChardin tells us that we
are not a human being trying to attain a spiritual experience, but, rather, we
are spiritual beings having a human experience. This shift in
perception causes a tremendous difference in the way we perceive ourselves in
this third/fourth time-space continuum.
Being a student of "A Course In Miracles" in the
late 80’s, I was faced with a dichotomy in the idea that we are not a body. I
never understood this statement fully until I read a quotation by Albert
Einstein which stated: "Concerning matter, we have been all wrong.
What we have called matter is energy, whose vibration has been so lowered as to
be perceptible to the senses. There is no matter." I believe what
is being stated is that at the deepest level we are not separate, as a body, as
a spirit, as a soul — we are just energy-beings. This is the level of consciousness
being opened to us from which a new paradigm is emerging for the purpose of
healing all separation. The popular term, "The Divine, is in me"-
makes "me" separate from the Divine. May I suggest a shift in the
saying to: "The Divine, AS me" to remove the separation.
As we move from genetics and concepts like Soul, "Soul
Mates" and "Soul work," we move beyond physical diagnosis, into
a new field of quantum physics. In this new field, where consciousness is seen
as a unified field where everything is everything else, (T.O.E. Theory - The
Theory of Everything) —there are no boundaries. There is no "this" or
"that;" no you or me. It is a pure field of awareness –
consciousness. I solved the dichotomy about "we are not our body" by
changing my perception of genetics to energetics - realizing that we are not
meant to ignore our physiology, but recognize the body as energy, vibrating at
a very dense frequency.
Repairing DNA
I was first introduced to DNA in 1988 when I was going
through a transitional period, during which I felt that I had come to the end
of everything that I believed. A tape was given to me of a gentleman speaking
in an accent, (which I thought at the time, was rather boring), and I didn’t
understand what he was talking about. Then all of a sudden, as I was ready to
turn it off, he said: "Quantum physics has found that there is
no empty space in the human cell, but it is a teeming, electric-magnetic field
of possibility or potential." That’s all he said! But
whatever frequency was contained in those words, RESONATED something inside the
CORE of my BEING — and I had a KNOWING in me that the NOTHING I thought I was
looking at was the EVERYTHING. Much like in Zen, and the idea of becoming
"as an empty bowl." Eastern Religions (including the Bible) refer to
it as the VOID – The Nothing that is EVERYTHING – The Womb of Creation. I knew
that I was experiencing a re-birth! The person on that tape was Dr. Deepak
Chopra.
I had never heard of Deepak Chopra in 1988, as he was just
coming on the scene about that time. I credit him for a very important
transition in my life, just from the statement he made on that tape. Today, in
retrospect, I would call my response to that statement a "cellular memory
experience." We know that intelligence is stored within the cells of the
body, and when the right resonance comes and releases that information to
become inherent information or inherent KNOWLEDGE – that comes from the true
Self. That is why so many of us seem to jump form one stimuli to another
looking for what will resonate in us.
The work being done today with energy at the cellular level
really excites me, since I had been very interested in DNA before it became a
household word. In fact, I think it took me two years just to learn how to
pronounce it (deoxyribonucleic acid did not roll off my tongue quickly). But, I
was determined to understand this tremendously powerful energetic blueprint for
life, as we know it, at the cellular level on this planet. DNA became a part of
the collective consciousness when CNN produced a special on the Genome Project
in 2000.
As I pursued my passion for the study of DNA, I attended a
workshop by Dr. Robert Girard from California on DNA Activation. His work
focused on using certain sounds and frequencies to activate DNA and I started
doing DNA Activation workshops. Through those workshops, an article was given
to me that reported how biochemists are using the frequency 528Hz to repair
human DNA. The article stated that it was a "C." When I read that I
thought, "All I would need to do is go to a piano or other instrument and
play a "C" and then, in the DNA workshops we would be able to repair
DNA."
Well, it wasn’t that simple, because I discovered that the
regular "C" that we all know of in this culture (which is from the
diatonic scale of do, re, mi, fa, so, la, ti, do) was not the 528 Hz frequency
"C", as described in the article. Instead, I discovered that a
regular "C" vibrates to a frequency of only 512 Hz, and that the
"C" of 528 Hz used in DNA repair had been a part of an ancient scale
called the Solfeggio Scale. Moreover, the difference in the scales
existed because of different tuning methods that were utilized in ancient
times, vs. those in general use today. Later, we will explore that difference
between how we create music today vs. how we used to create it, and how that
simple change has made all of the difference in the world.
How I found out about the Ancient Solfeggio Frequencies
I found this ancient scale to be part of a 6-tone scale
sequence of electro-magnetic frequencies called the Original Solfeggio Scale
through the book "The Healing Codes of Biological Apocalypse" by Dr.
Leonard Horowitz. These particular frequencies were rediscovered by Dr. Joseph
Puleo, who received them in a wonderful experience that some would suggest was
mystical. These frequencies are not something new, but they are something very
old.
I shared the information about these frequencies with a
musician friend who had a studio in her home. After reviewing the information,
she decided that she would like to experiment with these frequencies in the
form of meditation music. She was also in touch with Jonathan Goldman (author
of the book, "Healing Sounds") and he knew of these frequencies, and
was using them in some of his music such as "The Lost Chord" CD.
Aryiana requested that he have the tuning forks made for her to research the
frequencies. I asked if she could also have a set made for me.
After I received the tuning forks and began talking about
them around the country, I noticed that people were resonating with the
information about these powerful frequencies. It felt as though something was
going on in a much larger picture. We were connecting energetically to this
information, and yet I didn’t know what I was going to do with the tuning
forks. Then people began to ask if I could use the tuning forks on them. From
those experiences, and with information I had gathered, a method and technique
began to develop. I called the technique SomaEnergetics TM, which is designed
to utilize the optimum energy of the Solfeggio frequencies using tuning forks.
Soma, meaning "body" in the Greek, combines the wholistic idea
of the body as an energy field - SomaEnergetics TM.
When starting these first tunings, the main frequency that I
knew the most about was 528 Hz – that biochemists are using for DNA repair. I
realized that the right side of the body is controlled by the left-brain, and
the left side by the right brain and that these correspond with our inner male
and female energies. As I took the fork down each side of the body, I could get
in touch with the dominate ancestral DNA that comes thru the Mother’s side or
Father’s side of the chromosomes. I would many times get a tremendous imbalance
in the sound between the two sides. The purpose of energy work, as many of you
know, is to attain balance. For example, if everything is in balance, such as
the ph level, the physical body can heal more naturally. It’s the same way in
our energy bodies. If we can find that energy balance, that equilibrium, where
everything aligns or everything comes into synchronization into the rhythm of
the dance of life – then healing becomes the natural state. It’s nothing
supernatural, or miraculous. I think a lot of spiritual texts have referred to
this idea when they describe, "going home to heaven." Heaven, to me,
is the complete synchronization with higher frequencies and vibrations of
creation being totally entrained. In other words, being in a state of
at-one-ment.
When I would continue to do the technique, the sound would
begin to even out between the male and female sides of the body, and the client
would indicate they were "feeling" a shift. As that would occur, I
was totally amazed, and asked myself, "What is happening here?"
Although I’ve been a speaker of spiritual things for over 40 years, I can’t
tell you that I’ve been the most intuitive person in the world. All of a sudden
I started having certain feelings about what to do with the forks. I found that
at some point in working with the client, I stopped "doing" the
tuning forks (being the initiator of the technique), and they started
"doing me" – seeming to direct the movement of the Forks! After
hundreds of tunings and positive testimonies, I have learned to trust the
Ancient Solfeggio Scale frequencies in the form of Tuning Forks as a legitimate
modality.
Energy and Relationship
Everything is relationship. I remember Dr. Fred Wolf, who is
a physicist stating on a tape "Everything is consciousness." He
further noted, "When you are observing an object, on some level the object
is observing you." As I listened to that statement, I thought it was
strange. I then realized that because something doesn’t have a human
consciousness, as I do, that doesn’t mean it doesn’t have it’s own
consciousness. Apparently, observing something changes it on some level – that
the observer, and the observed are one.
I treat the Solfeggio tuning forks as a conscious
"entity." They are energy, they’re vibration, they’re frequency – the
client is vibration, frequency and energy – I am vibration, frequency and
energy. All of that coming together begins to produce a synergetic experience
that takes place on many levels. The energy bodies that we focus on using the
Solfeggio Frequencies are the physical, the etheric, the mental/emotional, and
the astral.
Sound, Vibration and Form
For more than 200 years, researchers have been validating
the connections of Sound and Vibrations on physical form. The first to make
that connection was German scientist Ernst Chladni, who, in 1787, detailed his
research in his book "Discoveries Concerning the Theory of Music." In
that pioneering work, he explained ways to make sound waves generate visible
structures. He detailed how a violin bow, drawn at a right angle across a flat
plate covered with sand, produces patterns and shapes. Today, those patterns
and shapes are called Chaldni figures. (Coincidentally, Chaldni died in 1829,
the same year as Beethoven. Mozart, a Free Mason, heavily influenced Beethoven
about the mathematics of music, and likely influenced Chaldni as well).1
In 1815, Mathematician Nathaniel Bowditch followed up on
Chaldi’s discoveries. He concluded that the conditions for these designs to
arise were because the frequencies, or oscillations per second, were in whole
number ratios to each other—such as 1:1, 1:2, 1:3 and so on.2
The study of wave phenomena, the ability of sound to
organize and repattern matter, is called Cymatics. According to
John Beaulieu, in Music and Sound in the Healing Arts, "Form
is the more elusive component of sound. Sound-forms can be seen by subjecting
mediums such as sand, water, or clay to a continuous sound vibration." The
following pictures taken by Dr. Hans Jenny are sound-forms. They were obtained
by placing various mediums on a steel plate with a crystal sound oscillator
attached to the bottom. The Oscillator creates a pulse, which vibrates the
steel plate. The forms on the plate are examples of sound organizing
matter." Jenny also "noticed that when the vowels of ancient
languages like Hebrew and Sanskrit were pronounced, the sand took the shape of
the written symbols for those vowels. "Modern languages, including
English, failed to generate those patterns."
"Space is not empty. It is full, a plenum as opposed
to a vacuum, and is the ground for the existence of everything, including
ourselves. The universe is not separate from this cosmic sea of energy." David
Bohm
Jenny concluded that were examples of cymatic elements
everywhere—"vibrations, oscillations, pulses, wave motions, pendulum
motions, rhythmic courses of events, serial sequences, and their effects and
actions"—and they effected everything including biological evolution. The
evidence convincingly demonstrated that all natural phenomena were ultimately
dependent on, if not entirely determined by the frequencies of vibration. He
argued that physical healing could be aided or hindered by tones. Different
frequencies influenced genes, cells, and various structures in the body, he
claimed.
Vibration of Music of the Spheres: "Every cell
pulsates, reflects and interacts with acoustic oscillations of the medium. Even
the earth and sun vibrate in unison based on a main rhythm of 160 minutes. Each
musical note is therefore united to non-audible notes of higher octaves, and
each symphony to other symphonies that we do not hear, and although they make
our cells oscillate and possibly resonate. Even DNA has it’s own melody. The
musical nature of nuclear matter from atoms to galaxies is now recognized by
official science."3
In " Molecules of Emotion," by
Candice Pert, Ph.D., she writes, "… basically, receptors function as
scanners (sensing molecules, on a cellular level). They cluster in cellular
membranes, waiting for the right ligand (much smaller molecules than
receptors), to come dancing along (diffusing) through the fluid surrounding
each cell, and mount them – binding with them and (tickling ) them to turn them
on and get them motivated to vibrate a message into the cell. Binding of the
ligand to the receptor is likened to two voices, striking the same note and
producing a vibration that rings a doorbell to open the doorway to the
cell."
Poet Cathie Guzetta summarized this science best when she
wrote:
"The forms of snowflakes and faces of flowers may
take on their shape because they are responding to some sound in nature.
Likewise, it is possible that crystals, plants, and human beings may be, in
some way, music that has taken on visible form."
How Did The Solfeggio Frequencies Get Lost?
I discovered that these powerful frequencies had been given
to the church many years ago for a very spiritual purpose. This was back when
the church was a wonderful place for the people in the villages to gather
together. The church served as a social, political, and spiritual place. People
came to Mass, which at that time, was done in Latin (until Vatican II came
along). When people sing in Latin or musical tones, it is very powerful,
because it gets through all of the limited thought forms, and into deeper
levels of the subconscious – accessing insights beyond belief systems.
As described above by Dr. Candice Pert, PhD, energy and
vibration go all the way to the molecular level. She states that we have 70
different receptors on the molecules and when vibration and frequency reaches
that far they begin to vibrate. Moreover, she observed, "as they begin to
vibrate they sort of touch each other, and tickle each other, and they play and
mount each other." It’s this whole energetic dance ritual,
at the cellular level, that opens the chromosomes and exposes the DNA to the
frequencies. When we do toning, drumming, chanting, or tuning forks – it can be
a way to direct energy for transformational purposes.
Vibration and sound can be used, like most things, either
with positive intention or negative intention. Used negatively, it’s nothing
more than control and manipulation. Most of the world has been built upon
control and manipulation by the way we communicate thru language. A lot of
different texts, such as the Bible, talk about the importance of just making
Sound—whether it’s chants, drumming, or speaking in tongues (such as the
charismatic fundamentalists do), they are just different ways that people are
accessing deeper levels of themselves. I suggest to you that the Solfeggio
Tuning Forks are an even purer ways of doing that with positive intention.
When Dr. Joseph Puleo was researching the tones, he was
directed to a Monsignor at a university in Spokane WA, who was head of the
mediaeval department. Following a 20 minute conversation, the
"Can you decipher Mediaeval Latin?’
‘Absolutely!’
‘And you know the musical scale and everything?’
‘Absolutely!’
‘Well then, could you tell me what ‘UT - queant laxis’ means?’
After a brief pause, the Monsignor quipped, ‘It’s none of your business’
Then he hung up."1
‘Absolutely!’
‘And you know the musical scale and everything?’
‘Absolutely!’
‘Well then, could you tell me what ‘UT - queant laxis’ means?’
After a brief pause, the Monsignor quipped, ‘It’s none of your business’
Then he hung up."1
Additionally, as Dr. Puleo researched the tones further, he
came across a book on Gregorian chants by Professor Emeritus Willi Apel who
"argued that the chants being used today were totally incorrect, and
undermined the spirit of the Catholic faith."1 Moreover, Professor
Apel reported that "one-hundred fifty-two chants were apparently missing.
The Catholic Church presumably "lost" these original chants. The
chants were based on the ancient original scale of six musical notes called the
Solfeggio."1 Trust me, nothing is lost, it’s just neatly put away;
however, they cannot hide from the masses what is energetically placed within
the Soul.
According to Professor Willi Apel,1 "The orgin of
what is now called Solfeggio...arose from a Mediaeval hymn to John the Baptist
which has this peculiarity that the first six lines of the music commenced
respectively on the first six successive notes of the scale, and thus the first
syllable of each line was sung to a note one degree higher that the first
syllable of the line that preceded it. By degrees these syllables became
associated and identified with their respective notes and as each syllable
ended in a vowel, they were found to be peculiatly adapted for vocal use. Hence
"Ut" was artificially replaced by "Do." Guido of Arezzo was
the first to adopt them in the 11th century, and Le Marie, a French musician of
the 17th century added "Si" for the seventh note of the scale, in
order to complete the series."
Further research states that, "Pope Johannes later
became a saint - Saint Iohannes - and then the scale was changed. The seventh
note "Si" was added from his name. "Si" later became
"Ti." These changes significantly altered the frequencies sung
by the masses. The alterations also weakened the spiritual impact of the
Church’s hymns. Because the music held mathmatic resonance, frequencies capable
of spiritually inspiring mankind to be more "Godlike," the changes
affected alterations in conceptual thought as well, further distancing humanity
from God." In other words, whenever you sing a Psalm, it is music to the
ears. But it was originally intended to be music for the soul as well or the
"secret ear." Thus by changing the notes, high matrices of thought
and to a great extent well being, was squelched. Now it is time to recover
these missing notes."1
I’d heard of do, re, me, fa, so, la, ti, do. I particularly
responded to it whenever I hear that song by Julie Andrews from "The Sound
of Music." I literally have a "brain cell firing" as it is
engraved into my brain, and I see her coming over the mountain in the movie. I
didn’t realize this was actually a second, modified scale. The original
Solfeggio scale was actually: UT, RE, MI, FA, SO, LA.
Looking at the definitions of each of the original
syllables, using hidden entries from Webster’s Dictionary and the Original
Greek Apocrypha, I have determined that these original frequencies can be used
for: Turning grief to joy, helping the person connect with their Source to
bring forth miracles, DNA repair, connecting with spiritual family, solving
situations & becoming more intuitive, and, finally, returning to spiritual
order.2
Through music these tones can assist all the channels in staying open
and keep the life force (the Chi) literally flowing thru the Chakra System
quite freely. Is this is what the six electro-magnetic frequencies were to
accomplish that were put into "lost" hymns and Gregorian chants?
I think we are living in a tremendously wonderful time, and
rather than seeing the glass as "half empty," I see it as "half
full." Rather than accepting "CNN’s perspective" of the world
view, it’s about finding perspective thru the vision of your own heart. It is
about change and transformation of mankind to the next level of evolution. We,
as Spiritual Light Workers, have made ourselves accessible at this time, by
Divine Appointment, to be here to help those in humanity who choose (it’s all
based upon irrevocable choice) to stay, or to go. Those who have chosen to stay
will come into our lives, and we have already agreed to assist them.
It’s all about assisting other people. It’s not to be their
"Healer," but to assist them in knowing who they are and connecting
with their true Source. It is about providing an atmosphere of non-judgement, a
Sacred Space, for the purpose of healing themselves. We should be continuously
teaching while assisting people. The old paradigm teaches us to keep the
information among the professionals. The new paradigm is to share the
information, and empower the client. Everyone you work with—whether it’s Reiki,
Massage, Tuning Forks or other modalities you are using, you should feel that
you’ve empowered that person, so they can extend this information to someone
else. Healing has become about our evolution by reconnecting our additional
strands of DNA. Healing is also about assisting the person in restoring
themselves to a state of "Spiritual Wholeness."
1 "Healing Codes for the Biological Apocalypse" by
Dr. Leonard Horowitz, p. 345-6
2 Ibid.
3 From "Man’s Cosmic Game" by Guiliana Conforto
2 Ibid.
3 From "Man’s Cosmic Game" by Guiliana Conforto
The 3, 6, and 9
As we look at the six original Solfeggio frequencies, using
the Pythagorean method, we find the base or root vibrational numbers are 3,6,
& 9. Nicola Tesla tells us, and I quote: "If you only knew the
magnificence of the 3, 6 and 9, then you would have a key to the
universe."
John Keely, an expert in electromagnetic technologies, wrote
that the vibrations of "thirds, sixths, and ninths, were extraordinarily
powerful." In fact, he proved the "vibratory antagonistic thirds was
thousands of times more forceful in separating hydrogen from oxygen in water
than heat." In his "Formula of Aqueous Disintegration" he wrote
that, "molecular dissociation or disintegration of both simple and
compound elements, whether gaseous or solid, a stream of vibratory antagonistic
thirds, sixths, or ninths, on their chord mass will compel progressive
subdivisions. In the disintegration of water the instrument is set on thirds,
sixths, and ninths, to get the best effects."
In the book of Genesis it states that there are six days of
creation. Yet many talk about the creation week – or seven days, and the
Christian Bible views the number seven as the number of completeness. Why
Seven? It is due to the influence of the Near Eastern culture at the time in
which Jesus lived, when it was believed that there were only seven planets.
When wrestling with adding a 7th number, I was mystically
drawn to an article in Discover Magazine. In his newest book, Just Six
Numbers, Rees argues that six numbers underlie the fundamental
physical properties of the universe, and that each is the precise value needed
to permit life to flourish. In laying out this premise, he joins a long,
intellectually daring line of cosmologists and astrophysicists (not to mention
philosophers, theologians, and logicians) stretching all the way back to
Galileo, who presume to ask: Why are we here?
As Rees puts it, "These
six numbers constitute a recipe for the universe." He adds that if
any one of the numbers were different "even to the tiniest degree, there
would be no stars, no complex elements, no life." (From Discovery
Magazine). As some authors have speculated, could these tones have played a
role in the miraculous shattering of Jericho’s great wall in six days before
falling on the seventh day? Some scientists are now stating that if we
have been created, we most likely would have been sung into existence. Is
it possible that the six days of creation mentioned in Genesis represent six
fundamental frequencies that underlie the universe? Religious scholars
believe both events occurred as a result of sounds being spoken or played.
Other scientists, including the geniuses Nikola Tesla,
Raymond Rife, as well as Mozart, Haydn, Beethoven, and Chladni, all must have
known about, and used the concept of, the inherent power of threes, sixes, and
nines. So we are dealing with three powerful numbers: 3-6-9. Everyone of the
six Solfeggio Tuning Forks all add up, individually to the Pythagorean scheme
of 3-6-9. In fact, because there are two sets of 3-6-9 (anagrams) in the
solfeggio, they are even more powerful as these combinations serve as
"portals" to other dimensions!
Just Intonation – 12 Tone Equal Temperament
As I observed earlier, another reason these Ancient
Solfeggio frequencies became "lost" was because of the change in
tuning practices throughout history. The standard tuning method for the past
200 years is quite different from the tuning practices dating from antiquity
through about the 16th century A.D. These ancient tuning practices used a
system of tuning known as Just Intonation. The tuning practice
adopted for western cultures during the 16th, 17th, and 18th centuries,
and used today, is known asTwelve-Tone Equal Temperament. The explanation
of the fundamentals of these tuning systems is far too complex for this agenda,
but the following quote from a book written by David B. Doty, titled The
Just Intonation Primer, should give an idea of the confinement that music
has been relegated to. "Essentially, music has been placed in a
box of limitations"— as the result of the rigidity imposed by the
Twelve-Tone Equal Temperament tuning standards in use today.
"Although it is difficult to describe the special
qualities of Just (Intonation)intervals to those who have never
heard them, words such as clarity, purity, smoothness, and stability
come readily to mind. The supposedly consonant intervals and chords of
(12-Tone) Equal Temperament, which deviate from simple rations to varying
degrees, sound rough, restless, or muddy in comparison."
Just Intonation can be found in many of the great Fathers of
Classical Music – Beethoven and Hyden, just to name a few. They did not use
this 12-tone temperament and I think that is why we have a richer experience
when we hear music that was composed several hundred years ago. Classical Music
based on Just Intonation gives us a different rapport with time and space and
brings us into our higher chakras.
Native American chanting is many times based on Just Intonation.
The chanting seems to sound monotone, but we are finding out that within the
monotone sound is multi-dimensional harmonics.
How these different types of tones affect our health
Consequently, since all music in our contemporary world
(from commercials, to modern hymns and symphonies) has been composed utilizing
the 12-Tone Equal Temperament Scale, they all have vibrational limits. As a
result, vibrational frequency of the tones of modern music can create
situations such as "boxed-in thinking," stuffed and suppressed
emotions; and fear-based " lack" consciousness—all of which then tend
to manifest into physical symptoms of "dis-ease."
This is in contrast to music created from the Ancient
Solfeggio Scale, which stimulates the vibration of expanded creativity, easier
problem solving and holistic health.
Again, it should be noted that although there are
contemporary notes that approximate the Solfeggio tones, they are not the same
frequencies as the ancient tones. Example: The Solfeggio tone, Mi. vibrates to 528
Hz. The closest, comparable, contemporary tone is C, above Middle
C, which vibrates at 512 Hz. Our research indicates that the
vibrational frequencies contained in the Solfeggio tones hold these original
healing potentials.
1 - Professor Apel’s and Dr. Puleo’s remarks as reported in "Healing
Codes for the Biological Apocalypse" by Dr. Leonard Horowitz.
Pages 58-61
2- Hidden Entry Meanings from the book, "Healing Codes for the Biological Apocalypse" by Dr. Leonard Horowitz. Pgs. 166-67
2- Hidden Entry Meanings from the book, "Healing Codes for the Biological Apocalypse" by Dr. Leonard Horowitz. Pgs. 166-67
Other Resources:
John Beaulieu,
"Music and Sound in the Healing Arts." Station Hill Press, 1987
Giuliana Conforto,
"Man’s Cosmic Game," Edizioni Nowsis, 1998
David B. Doty,
"Just Intonation Primer"
Jonathan Goldman,
"Healing Sounds: The Power of Harmonics," Element Books, 1992
Leonard Horowitz
and Joseph Puleo, "Healing Codes for the Biological Apocalypse,"
Tetrahedron Publishing Group, 1999
Candice Pert, PhD,
"Molecules of Emotion"
Michael Talbot,
"The Holographic Universe"
Dr. Rees,
"Just Six Numbers"
Article from: lightwithin.com
Post Courtesy Of: www.redicecreations.com
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